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Collins, a visionary artist, believed that life’s spiritual quest would end with arrival at what he termed the ‘Great Happiness’: the sun of consciousness shining over all the worlds. Pears was a discriminating collector of Collins’s work: in 1956 he bought his Resurrection and commissioned The Agony in the Garden in the same year as a companion piece for it. A retrospective exhibition was held at the 37th Aldeburgh Festival in 1984
Lithograph print of pencil drawing, 7/ 70: 51.4 x 28 cm.
Mounted: 79.2 x 56.2 cm. Framed, glazed: 82.3 x 59.2 cm.
[GB-ALb 5–9400131] |