Works For Orchestra
Our Hunting Fathers op. 8
Written as a commission from the Norfolk and Norwich Festival and described by the composer as ‘my real opus 1’, Britten’s first mature song-cycle is also his first work to deal with a recurring theme in his output: man’s inhumanity to man. A tour-de-force of vocal bravura (for either soprano or tenor soloist) and of orchestral virtuosity, Our Hunting Fathers is becoming increasingly recognized as one of Britten’s most original and brilliantly daring early works.
symphonic cycle for high voice and orchestra
Text source Text devised by W. H. Auden
Dedication
'Dedicated to Ralph Hawkes, Esq.'
Publisher
B&H 1936 (vocal score); 1964 (full score, miniature score)
Formats and Availability
Miniature score, vocal score (Benjamin Britten) on sale; full score, orchestral parts for hire
Orchestra
2 fl (II=picc), 2 ob (II=ca), cl in B flat (=A), cl in E flat (=bass cl), alto sax, 2 bn-4 hn, 2 tpt in C, 2 trbn, bass trbn, tuba-timp, 2 perc (sd, td, cymb, bd, xyl, trgl, tamb)-harp-str
Movements/songs
Prologue (W. H. Auden) 1 Rats away! (anon.) 2 Messalina (anon.) 3 Dance of Death (Thomas Ravenscroft) Epilogue and Funeral March (W. H. Auden)
Performance Information
First performance
25 September 1936, St Andrew's Hall, Norwich, Norfolk and Norwich Triennial Music Festival. Sophie Wyss sop, LPO, Benjamin Britten cond
First broadcast
30 April 1937, BBC National (BBC Concert of Contemporary Music). Sophie Wyss sop, BBC Orchestra (Section D), Sir Adrian Boult cond
Britten recording
1961 (BBC Enterprises, rel. 1981). Peter Pears ten, LSO, Benjamin Britten cond
Notes
The possibility of a new Britten work for the 1936 Norwich Festival was first broached in February 1934, though it was not until 2 January 1936 that Britten began discussing the work with Auden. [Diaries]The composition draft is dated 'June 27th 1936'. Peter Pears first sang the work (only its second concert performance [CM fax dated 10.02.98]) in June 1950 at Chelsea Town Hall with the Chelsea Symphony Orchestra conducted by Norman Del Mar. The revisions of 1961 (made in preparation for BBC recording sessions on 11 June 1961) involved some rescoring of the Epilogue.
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