Britten-Pears Foundation

 

A tour of The Red House

Photo of The Red House exterior, east view

Introduction

The Red House at Aldeburgh was the home of the composer Benjamin Britten and his partner the tenor Peter Pears from 1957 until their respective deaths in 1976 and 1986. Much of the music on which Britten’s enduring reputation rests was composed in this house, including most famously the War Requiem, the stage works Noye’s Fludde, A Midsummer Night’s Dream, Owen Wingrave, and Death in Venice, the three church parables, and a host of other orchestral, chamber and choral works.

The Red House was also the place from where Britten and Pears planned the Aldeburgh Festival, both on a year by year basis and including the massive project to convert part of the Old Maltings at Snape into a concert hall opened in 1967 (and then its rebuilding after a disastrous fire in 1969 to be ready again for the Festival in 1970).

The foundation and development of the Britten-Pears School for Advanced Musical Studies at Snape (now the Britten-Pears Young Artist Programme) was also driven by Pears and Britten from the house.

Britten rehearsing with Yehudi Menuhin at The Red House, 1958. Photo: Kurt Hutton

Britten rehearsing with Yehudi Menuhin at The Red House, 1958

Perhaps above all the house provided an essentially private creative and social space for performers and a wide variety of other musical, literary and artistic figures, who came here to rehearse and perform with Britten and Pears, to work with them on collaborative projects and to draw inspiration from the unique creative atmosphere that Britten and Pears instilled at The Red House.



Continue to moving to The Red House

Recent News

For Peter: a centenary celebration

This year's intimate and moving exhibition at The Red House explores the life and loves of Peter Pears.
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Rosamund Strode

We are sad to report that Rosamund Strode, Britten's music assistant and founding archivist at The Red House, has died aged 82.
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New perspectives on Britten

A new volume of essays brings together recent research on Britten, much of it based on the extensive archive collections at The Red House.
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